Obstination – mixed chamber ensemble

Obstination (1/15/16) for flute, French horn, violin, cello, and piano – 10’00”.  I made up the term “obstination” to refer to a state of pointed and fully intentional obstinacy.  I use this term knowing that obstinacy already covers this meaning, but I am too stubborn to use it.  Conflict and dramatic tension result from “obstination,” even if compromise is in everyone’s best interest. This work follows such a conflict.

The principal theme in the first movement is all about assertiveness.  If the movement were a character, it would be a character that knew it was right.  The second movement “character” can be interpreted as more introspective and intellectual.  It includes a carefully stated argument, played by the horn, and a piano solo that reflects pride in the horn’s argument.  This, too, is a character that thinks it has won.  The third character or movement represents the victim of a lack of compromise.  There are troubled chords and a melancholy melody from the flute. Tension builds.  Finally, the piano enters with a series of extremely frustrated and manic statements. These subside in resignation, and the work ends.

Medium Difficulty

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To hear an excerpt from the Finale click here.